| artist pages | |
| 1991 | Medium: Marked Cards 1991, artists’ page in Otis Rush, editor Ken Bolton, #6/7, Adelaide, 1991 |
| (list incomplete) | |
| writing by the artist | |
| 2007 | ‘The intersubjective space of visual art’ (February 2004), forthcoming issue of ‘Art Monthly Australia’, ed. Deborah Clark, Canberra, May, 2007. |
| 2006 | Notes on current criticism of contemporary art — no.2: Take your Place (September 2005), re-published by Ian Milliss, 1996. |
| 2005 | ‘Store 5 is …’, artist’s catalogue text for the group exhibition ‘Store 5 is …’, ed. Deborah Hennessy, Anna Schwartz Gallery, Melbourne, 2005, pp. 18-21. |
| 2003 | ‘Sculptural situations’, artist’s catalogue text, Heide Museum of Modern Art, Melbourne, 2005, unpaginated. |
| 2001 | ‘The BLIND SPOTs we sometimes see’, guest curator’s text for the exhibition ‘Primavera 2001: The 10th Anniversary Belinda Jackson Exhibition of Young Artists’, Museum of Contemporary Art, Sydney, 2001, pp. 4-40. |
‘Pause for Thought’ (on the architecture of James Birrell), in ‘Monument’, ed. Paul McGillick, terraplanet.com Limited, issue 42, 2001, pp.104-5. |
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| 1999 | ‘Dealing in Secrets: an interview with Christoph Tannert on the 80s art scene in East-Germany’, in ‘there contemporary art magazine’, ed. Gail Hastings, Berlin, 1999, pp. 2-3. |
| Systems of Sight, Constructed Views and the Laws of Permission in between: some thoughts on the work in situ by Manuel Franke, catalogue text for Manuel Franke, Artspace, Sydney, Nov. 1999, unpaginated. | |
| 1998 | ‘Another conversation with Gail Hastings’, artist’s catalogue text for the group exhibition, ‘All This And Heaven Too: 1998 Adelaide Biennial of Australian Art’, eds. Juliana Engberg and Ewen McDonald, Art Gallery of South Australia, 1998, pp. 38-39. |
| ‘two timing’, guest curator’s text for the group exhibition ‘two timing’, Metro Arts, Brisbane, 1998. | |
| 1997 | ‘endnote: four coincidences’, artist’s catalogue text, Anna Schwartz Gallery, Melbourne, 1997, unpaginated. |
| ‘A conversation with Gail Hastings’, artist’s catalogue text for the group exhibition ‘On Dialogue’, ed. Anne Marie Freybourg, Haus am Waldsee, Berlin, 1997. | |
| ‘A work by Elizabeth Newman in someone else’s studio’, someone else’s studio, Brisbane, Dec. 1997. | |
| 1993 | ‘Gail Hastings: a page torn from a secret’, catalogue text, Australian Centre for Contemporary Art, Melbourne, 1993, unpaginated. |
| 1992 | ‘The breadth of the present’, in ‘What does this artworld mean?’, catalogue introduction to the ‘Visual Art Programme of the Next Wave Festival’, ed. Gail Hastings, Next Wave Festival, Melbourne, 1992. |
| ‘oh, tango’, catalogue text for Angela Brennan, Gertrude contemporary art spaces, Melbourne, July 1992, unpaginated. | |
| ‘The density of nothing: some considerations on the work of Elizabeth Newman’, catalogue text for Elizabeth Newman, City Gallery (Anna Schwartz Gallery), Melbourne, Dec. 1992,unpaginated. | |
| 1991 | ‘Fabricated Boundaries: on work by Peter Cripps’, in ‘Agenda: Contemporary Art Magazine’, no. 18, Melbourne, July 1991, p. 23. |
| ‘Wall to Wall, Ceiling to Floor exhibition by Mikala Dwyer’, catalogue text for Mikala Dwyer, Gertrude contemporary art spaces, Melbourne, 1991, unpaginated. | |
| 1989 | ‘This Performance — A Passing Thought’, catalogue text, Gertrude contemporary art spaces, Melbourne, 1989, unpaginated. |
| ‘Observations of a work by David Hecht’, in ‘Agenda: Contemporary Art Magazine’, no. 10, Melbourne, 1989. | |